This is the story of “A Certain Nerdy Virtuoso.”
-TAMUSIC- Try Arrange Music
Anime & Game Doujin Music / Produced By TAM (Violinist)
40,000,000 Video Views + 10 World Concerts + 150 CDs Released in Japan
学生時代、音楽も勉強もエリートコースから脱落し夢破れ、
一日中部屋に引き篭もり、親とも一切会話せず、漫画ゲームアニメパソコン三昧。
典型的なダメ人間の無職ニートになって人生終わったはずの、
「とあるアキバ系オタクの超演奏活動物語」
Giving up on music and studies, this dispirited boy turned into a typical NEET, locked in his room. He did not talk to anyone, not even his parents, and spent all of his time reading comics, watching anime, and playing video games. Yet from those hopeless conditions, a loser otaku went on to become a world-famous performer. This is the story of “A Certain Nerdy Virtuoso.”
～2003年
ディープな萌系作品にまで手を広げていたニート時代に、人生を変える作品に出会う。
パソコンゲーム作品（key）に衝撃を受け、演奏したい！と思い立つ。
最初は音すらまともに出ない楽器演奏を約10年ぶりに再開。
聴かせる同志をネットの世界に求め、パソコンでの録音編集投稿を始める。
「TAM」の名前で楽曲投稿し、作品を愛する同志と音を通じた交流の喜びにハマる。
※7年後にkey公式でバイオリン演奏する事にΣ(ﾟДﾟ)
Before 2003
As a moe-addicted NEET, his life was changed when he played a particular PC game by Key. He was so moved by it that he felt a desire to perform its music. Picking up an instrument for the first time in nearly 10 years, he took to the Internet to find an audience for his recordings and uploaded them under the name “TAM.” The positive feedback encouraged him to continue.
*Little did he know that 7 years later, he would perform for Key officially. Σ(ﾟДﾟ)
2004年
演奏をリアルで伝えたくなり、一人で路上ライブ、演奏動画投稿開始。
最初はまったくの無名、演奏クオリティもブランクがあり素人レベルだったが、
前代未聞、世界初のオタク曲専門バイオリン演奏者（Net調べ）として全国世界に様々な反響を得る。
当時、動画で顔を出してのオタク音楽活動は日本で数人しかおらず、クラシックでは世界初。
2004
He performed on the streets and started uploading video performances to the Internet. Though at first a nameless amatuer, his repertoire of music from otaku-centric works was unprecedented at the time (according to online research) and made waves across the entire world. Additionally, he was one of the few Japanese otaku performers to reveal his face, and the first classical violinist.
大阪城公園路上ライブ
Performance in Osaka Castle Park
秋葉原路上ライブ
In Akihabara
池袋路上ライブ
In Ikebukuro
2005年
同人音楽サークル「TAMUSIC」設立。
同人二次創作活動公式OKなPCゲーム（Key,東方,ひぐらし等）中心に、
アニメ・ゲーム曲等自分が大好きなアキバ作品の演奏団体設立。
2005
He started the doujin music circle, “TAMUSIC.” Focusing on franchises that formally allowed the sale of fanworks (Key, Touhou, Higurashi, etc.), its goal was to reimagine music from his favorite anime and game series.
CD-R手焼きにてイベント限定CD制作開始。
Started burning CD-Rs for sale at doujin events.
メイド隊を引き連れて秋葉原路上ライブ開始
Akihabara performance with maid entourage. ★Akibablog link (JP)
Netのオタク系ニュースサイトに多数取り上げられ、話題となる。
良い音で演奏を楽しむため、クラシックコンサートライブ主催主演開始。
演奏者が代表としてホールを貸しきっての同人自主コンサートライブ定期開催は世界初？
Otaku news sites took notice and wrote articles about him. In order to give listeners better acoustics, he began performing in concert venues. He might have even been the first to organize entirely fan-operated concerts on a regular basis!
2006年
唯一無二の演奏団体実績が買われ、1000人規模のイベント内ライブ企画。
当時、例大祭・紅楼夢に次ぐ3番目の規模の東方イベント舞台演奏をプロデュース主演。
2006
With his unique brand of music, he held a performance as part of a Touhou doujin event attended by roughly 1000 people. At the time, it was the third-largest Touhou convention series after Reitaisai and Koromu.
イベント限定で頒布した手焼きCDは買い求める人が長蛇の列となり、
机と列をイベント会場外に緊急移動するほどの大盛況となる。
大成功を収めた1000人規模ライブの模様を全国に届けるべく、
CDアルバム自主制作～全国委託展開開始（プレス工場、印刷所による生産）
A massive line formed to purchase his event-exclusive CDs, and part of it even had to be moved outside the venue. News of the incredible success reached all corners of the country, and he began selling pressed CDs at consignment shops.
世界最大の同人即売会コミックマーケット初参加にして壁配置。
同人委託ショップはじめての月間ランキング1位。
クラシック演奏系同人音楽では一気に日本最高峰の人気サークルとなる。
TAMUSIC’s first appearance at the legendary Comic Market (Comiket) convention saw him being placed by a wall, a position reserved for highly popular circles. One of his CDs that took the top sales spot that month at a major doujin consignment store. Nearly overnight, he had become the most famous classical-style doujin musician.
頒布実績が認められ、店舗数日本一の同人ショップ初の公式店舗内演奏。
後に全国６都市でインストアライブを継続的に行う。（オタク演奏者日本初？）
Recognizing his achievements, one of the larger doujin store chains asked him to tour for their first in-store concerts. He performed at six different locations across Japan, possibly the first for any otaku musician.
北海道札幌ライブの様子。
At Sapporo, Hokkaido.
2007年
年間18枚のCD制作＋年12回のイベント参加＋年3回のコンサート主催主演＋120動画投稿。
TAM活動に加えて「無遅刻無欠勤、有給ゼロ」のサラリーマン仕事＋身内手伝いもこなす。
TAM/TAMUSIC企画への制作参加協力者が100名を超える。
2007
Over the course of the year, he produced 18 albums, joined 12 doujin events, organized 3 concerts, and uploaded 120 videos. To help him keep up with his doujin activities along with maintaining his full-time job (without vacations), he had a team of friends and family who assisted him in a variety of tasks, and a total of more than 100 individuals had some involvement in TAMUSIC.
コミケシャッター前（搬入口）配置となる。
月間ランキングの常連となり、全国でライブ出演、主演。
That Comiket, his circle was placed in front of a shutter door, given to the biggest and most popular circles. His releases also placed high in store sales rankings, and he continued to perform all across Japan.
12月末、皆勤仕事納め翌日＋公開主催主演ライブ収録当日＋コミケ前日に倒れる。
At the end of December, the day after achieving perfect attendance for the year at his job, the day before Comiket, and the day of recording for the next concert, he collapsed from exhaustion.
2008年
地元名古屋で最後のライブ単体単独主催主演（イベント後）聴衆800名。
2008
In his hometown of Nagoya, he performed in TAMUSIC’s final solo concert after a doujin event, with 800 in attendance.
スケジュール予定を全て消化した後、仕事もTAM活動も一時休止休養。
同人サークルとしての団体イベント運営やチーム制作を一度停止させ、
身内（家族）の住むヨーロッパへ研鑽兼ねて短期滞在＋路上ライブ。
Having finished with his schedule, TAM took a vacation from everything to recuperate.
All doujin activities were placed on hold, and he flew to Europe to meet family, study music, and hold streetside performances.
その他ヨーロッパ等滞在写真
Photos from Europe
海外滞在時、400ページに及ぶ人生計画表の中でTAM/TAMUSICの役割を再確認。
多人数団体の主催から一人になったからこそ可能な世界へ進む事を決心。
During his stay overseas, he reconsidered his & TAMUSIC’s role as he pored over his 400-page life plan. Stripping down from a large organization to a single person (albeit with assistants as before), he felt new possibilities would open up.
2009年
演奏音楽活動を世界へ届ける挑戦
→世界各地で毎年1000人規模大ライブ
海外初ライブ企画主演（台湾イベント内）にて活動本格再始動。聴衆1000名以上。
同人サークル、演奏者主演で1000人規模会場での海外ライブは日本人初（Net調べ）
続けて日本でも聴衆2000名以上のイベント内ライブ企画主演。
同人サークル、演奏者主演で2000人規模会場での日本ライブは当時最大（Net調べ）
この成功により、全国～世界で1000人規模のライブを毎年行い、企画・主演等も歴任。
2009
He set a new goal for himself, to hold a 1000-person concert somewhere in the world every year. He started with his first overseas concert in Taiwan, part of a larger event. Over 1000 attended, making it the first overseas concert by an amatuer Japanese performer to exceed 1000 people (according to independent internet research). Back in Japan, he performed during a doujin event for over 2000 people, setting another new milestone (also according to independent internet research). From that starting point, he has been successful in meeting his goal every year since.
TAMの演奏活動を世界へ届ける夢を叶える。
TAM/TAMUSIC企画への制作参加協力者が200名を超える。
TAM’s dream for his music to reach the world had come true. Those involved in the production of his works reached 200 people.
2010年
演奏音楽活動を周りに教え指導する、総合プロデューサーへ挑戦
→ボーカルプロデュース、制作チームプロデュース
女性ボーカルの育成プロデュース開始（あくまでTAM主演のバイオリン×ボーカルセッション）
DTMを使った楽曲CD制作全体を統括プロデュースし、サウンドプロデュースをメンバーに任せる。
TAM単独では、クラシック編曲、ボーカルRemix、楽器多重奏録音を商業クオリティに高める。
TAMとして2003年初めて演奏した楽曲ボーカル「Lia」さんCDで「初仕事」受け。
「Visual Art’s / key」公式仕事依頼により「完全アマチュア演奏者」の肩書きを卒業。
2010
Under the guidance of peer musicians, he attempted to become a producer, creating vocal songs and other works.
Starting from duets with female vocalists, he also used music software to add synthesized instruments to his tracks, leaving the sound production to other members. By handling much of the work by himself, he was able to improve his works’ quality to that of commercial releases. He also received his first formal commission, to contribute to an album by Lia, a singer from one of the pieces that motivated TAM back in 2003. That official request from Visual Art’s/Key lifted him from being a purely amateur performer to a professional.
Visual Art’s / key 本社スタジオにて収録。
Recording at Visual Art’s/Key’s studio
TAMが大好きな女性ボーカリストとの共演の夢を叶える。
Performing with one of his long-time favorite vocalists was a dream come true.
引き続き日本全国でライブを続ける
10.04.29 福岡にて1000人以上の前でイベント内バイオリンソロライブ
He also continued his concerts across Japan. On April 29th of that year, he put on a solo performance as part of an event in Fukuoka for over 1000 attendees.
2011年
演奏音楽活動を商業仕事に繋げ、オタク作品公式参加へ挑戦
→二次創作してきた本家（Key等）限定で仕事依頼受け
鳥の詩、等の歌手「Lia」さんのCD、RemixCDへ複数参加。
東日本大震災のチャリティーCDに制作参加＋Liaさんサイン。
2011
He contributed to even more commercial works from Key and other companies, further establishing himself as a professional. He joined another album by Lia, singer of “Tori no Uta,” as well as various remix CDs. He also participated in a charity album to support recovery efforts after the Tohoku Earthquake, which was signed by Lia.
VA20周年記念ライブ会場「横浜アリーナ」にて「Lia」さんと。
With Lia at the Visual Art’s 20th Anniversary Concert at the Yokohama Arena.
keyの最新作「Rewrite」等「Visual Art’s / key」へ定期的に参加。
鳥の詩、等Keyのメイン作曲者「折戸伸治」さんと、VA本社スタジオにて。
He also participated in other works by Visual Art’s/Key such as Rewrite.
With Shinji Orito, main composer for Tori-no-uta and other songs in Key series at the Visual Art’s recording studio.
制作で一緒した「竜騎士07」さんと、制作祝賀会パーティーにて。
TAMとして東方と共に最初期に演奏していた同人ゲーム「ひぐらしのなく頃に」等の作者。
竜騎士07さんの書くシナリオ中に流れるBGMのバイオリンももちろん担当。
With collaborator Ryukishi07 at the release celebration party.
Ryukishi07 is the creator of the Higurashi series, from which TAM also played the music at the outset along with Touhou.
Ryukishi07 wrote the scenario while TAM played violin for the background music.
TAMが今まで演奏してきた「PCゲーム」系の製作者と「お仕事」で一緒する夢を叶える。
TAM/TAMUSIC企画への制作参加協力者が300名を超える。
TAM went from creating fan works to working alongside those he admired.
TAMUSIC’s total number of people involved climbed to over 300.
2012年
音楽制作団体設立、商業お仕事依頼を本格スタート
→萌え系アキバ系（サブカルチャー）業界全体から仕事依頼受け
TAMUSICにて5CD50曲以上制作してきたチームが母体となり
オリジナル～商業メインの音楽団体「ALVINE」設立
2012
He decided to actively seek out further professional opportunities, accepting commissions from all companies involved in moe subculture.
He took a team from TAMUSIC, who was producing more than 50 songs every 5 albums, and created a new musical unit focused on original and commercial works called ALVINE.
PCゲーム主題歌、BGM等の作曲生産年間50～100曲
ALVINE creates between 50 to 100 songs for games yearly, ranging from opening themes to background pieces.
ニコニコ動画、テレビ東京公式、SONY MUSIC販売アニソンカバーCD編曲演奏。
涼宮ハルヒの憂鬱、らき☆すた、日常、等の声優「白石みのる」さんSONY収録ディレクション。
He performed in an album of anime song covers produced and directed by Nicovideo, TV Tokyo, and Sony Music featuring songs from The Melancholy of Haruhi Suzumiya, Lucky Star, Nichijou, and voice actors such as Minoru Shiraishi.
カンヌ国際映画祭にて、初音ミク演奏楽曲、投稿動画が使用される。
公式HPに使用された動画キャプチャーにも、小さくTAMの姿が掲載。
At the Cannes International Film Festival, a Hatsune Miku video and song he produced was featured, even reaching the website’s front page.
Key歴代名曲を辿るクラシック生演奏アレンジCD「KeyCLASSIC」全曲制作（編曲演奏）。
Kanon、AIR、CLANNAD、リトルバスターズ！、Angel Beats!、等のアニメ主題歌等を
公式アレンジCDとして、コミケ企業ブース（ビジュアルアーツ）でのリリース。
企画から関わり全曲編曲演奏を手がけた作品として、自身初の商業CDとなる。
TAM100枚目のプロデュースCD＋10年間のTAM活動の区切りの集大成～原点回帰
He also produced a CD called Key Classic, featuring classical rearrangements of historic Key songs such as the anime themes to Kanon, Air, Clannad, Little Busters, Angel Beats, and more. It was the first officially commissioned released he personally oversaw, and it was first sold at Visual Art’s Comiket booth.
It was TAM’s 100th pressed CD, and represented a return to his roots after 10 years of activity.
TAM活動満10周年、TAMUSIC満8周年、CDプレス100枚記念CD制作。
全国世界のイベント・ライブ限定で数千枚を手渡しで配布開始。
TAMが今まで演奏してきた「アニメ」系の制作関係者と「お仕事」で一緒する夢を叶える。
TAMとしての夢を全て叶え、丸10年間の活動一旦終了宣言。
He distributed thousands of CDs at various events and concerts around the world. He had achieved his dream of working with the creators of the anime he so adored. And with that major accomplishment, he announced a temporary reprieve. To date, he had been performing for 10 years, played as TAMUSIC for 8 years, and released 100 pressed CDs.
2013年
10年の活動を終え、3ヶ月ほど休憩。
次の大きな活動先となるアジアへ視察や打ち合わせ兼ねて短期滞在。
2013
After his 10th year, he took a three-month-long break, traveling around Asia for sightseeing and investigating prospects for future activities.
101枚目となる、CDアルバムリリース再開。
世界中に音を直接届ける、楽曲ネットダウンロードサービス構築開始。
3日間10万人イベント in中国成都 バイオリンライブ、現地メディア取材受け。
13.08.02 TAM(TAMUSIC) Violin World Concert Live in CHAINA CHENGDU CAF
He resumed releasing albums with his 101st CD.
To make his works available all around the world, he started laying the foundation for an internet download service.
At a three-day event attended by 100,000 people in Chengdu, China, he performed a concert and was interviewed by the media.
August 2nd – TAM/TAMUSIC Violin World Concert Live at CAF in Chengdu, China.
2日間4万人イベント STGCCinシンガポール
日本ゲスト＋バイオリン1時間ソロライブ＋現地10メディア取材受け
He was also a guest at a two-day event in Singapore, STGCC, attended by 40,000 people.
He performed a one-hour concert and was interviewed by a number of media outlets.
シンガポールで2000人規模の1時間バイオリンライブを成功させる。
The concert was a success with an audience of roughly 2000 people.
TAM/TAMUSIC企画への制作参加協力者が400名を超える。
Those involved with TAM/TAMUSIC reached over 400 people.
2014年
全国世界のTAMグループコミュニティ構築開始。
（秋田・仙台・新潟・東京・千葉・名古屋・京都・大阪・広島・愛媛・福岡・中国上海・台湾・シンガポール）
中国上海にて、バイオリンライブ
2014
TAM created a community for fans across the globe.
He performed in more locations: Akita, Sendai, Niigata, Tokyo, Chiba, Nagoya, Kyoto, Osaka, Hiroshima, Ehime, Fukuoka, Shanghai, Taiwan, & Singapore.
Violin concert in Shanghai.
TAM初の商業CD「KeyCLASSIC」一般販売
TAM’s first commercial release, Key Classic was released for purchase to the public.
ニコニコ超会議３ 内公式ライブ (リアル観客2000人？動画生放送数万人LIVE）
Niconico Chokaigi 3 concert, attended by around 2000 and watched by tens of thousands more online.
PSP,PS Vita 等の作品にバイオリン提供、楽曲製作参加しだす
Offered his violin work to a number of PSP and PS Vita games.
14.10.01～14.12.31
3ヶ月で10箇所15回ライブ遠征！
中国南京3days、大阪2days、沖縄＋離島、東京、名古屋、仙台、東京2days、秋田、大阪、台湾
慶良間諸島（沖縄県）で、一般人相手にストリートライブ放浪の旅。
The last three months of the year saw him perform 15 concerts in 10 locations!
Nanjing, China (3 days), Osaka (2 days), Okinawa, Tokyo, Nagoya, Sendai, Tokyo (2 days), Akita, Osaka, Taiwan, Kerama Islands (in Okinawa), and countless street performances.
中国南京にてライブ＋取材受け
An article about the concert in Nanjing
愛知県主催クールジャパン系イベントにて、大村県知事イベント開幕挨拶掛け声＋直前に15分ライブ
Attended the opening ceremonies of a “Cool Japan” event in Aichi with the prefectural governor and gave a 15-minute performance.
博麗神社秋季例大祭 イベント内舞台ライブ（1000人規模の舞台）
Performed at the Fall Reitaisai event, with roughly 1000 listeners.
コミケ企業ブースにて、鳥の詩 公式Arrange (AIR/Key)バイオリン主演 / ビジュアルアーツ販売
At Visual Art’s booth at Comiket, they sold an official arrangement CD of Tori no Uta where TAM played violin.
海外 台湾ライブ3回目。日本ゲストとして出演＋年越しライブ
Third performance in Taiwan for a New Year’s event.
2015年
海外 台湾ライブ4回目。 TAM初のワンマントークライブ2時間。
名古屋・小倉・高知・長野・松山・広島 ～全国ライブツアー
PlayStation4 ゲーム作品に初めてバイオリン演奏楽曲参加
千葉・東京・新潟・幕張・東京・大阪・広島・台湾・鹿児島・金沢・秋田 全国世界ライブツアー
博麗神社例大祭 in台湾 ステージイベントライブ
2015.09.12-/ 海外シンガポールにて、日本招待ゲストとしてライブ
2015.09.18-/ 海外アメリカロサンゼルスにて、日本招待ゲストとしてライブ
2015
4th performance in Taiwan, and TAM’s first solo performance and panel, lasting two hours.
Japan tour with stops in Nagoya, Kokura, Kochi, Nagano, Matsuyama, and Hiroshima.
First violin performance featured in a PS4 game.
World tour with stops in Chiba, Tokyo, Niigata, Makuhari, Osaka, Hiroshima, Taiwan, Kagoshima, Kanazawa, and Akita.
Performed at the Hakurei Shrine Reitaisai in Taiwan event
September 12th – Guest performer at an event in Singapore
September 18th – Guest performer at an event in Los Angeles, California
2016年
まだまだ活動は続く・・・
And more…
・活動規模概要(2015)
CDアルバム枚数＝150枚以上
CDアルバム企画制作速度15枚/年以上
楽曲製作プロデュース数＝2000曲以上
バイオリン楽曲制作速度200曲/年以上
投稿動画再生数＝4000万再生以上
主演ライブ回数＝100回以上、日本全国（北海道～九州）、世界各国
主演ライブ観客数＝2万人以上
海外ライブ回数＝10回以上
海外ライブ観客数＝1万人以上
主催企画への参加者400名以上
ゲーム・アニメ曲専門のヴァイオリン演奏者として、全ての項目で世界最大規模。
全ての楽器演奏者、自主制作者として世界一の項目も多数（Net調べ）。
もし同程度の規模の方の情報があれば、即刻取り消しますのでご連絡下さい。
（ギネスブックへの申請を勧められてます）
Activity Summary (up to 2015)
Albums released – Over 150
Yearly album production – More than 15 per year
Songs/arrangements produced – Over 2000
Yearly violin song productions – More than 200 per year
Total video view count – Over 40 million
Live concerts – Over 100 throughout all of Japan and several countries
Total concert attendance – Over 20,000
Overseas concerts – Over 10
Total overseas attendance – Over 10,000
TAMUSIC contributors – Over 400 people
The most active violinist worldwide devoted to anime/game music
Holds several records as an independent musician (according to net research)
Should we hear of one greater, we will immediately rescind this claim.
(It has been suggested we apply to the Guinness Book of World Records)
・追記 TAM少年期～
音楽＝小学生でコンクール入賞、新聞掲載、コンサートするも、中学受験＋飽きて辞める
勉強＝国立中学～中部地区東大合格者数一位の高校に入学するも、オタク＋飽きて落ちこぼれ
「アニメ・ゲーム・マンガ・パソコン」にハマりすぎて、2年以上廃人ニートへ
有り余る時間で、消費活動からパソコンを使用した生産創作活動へシフト
身内の説得とコネで某Y社の浜松寮生活、廃人ニートを強制脱却
音楽会社のサラリーマンとなり音楽実務経験を得る（演奏はゼロ）
まったく演奏出来ない仕事の反動で、演奏表現の場であるTAM活動を超拡大
詳しくは・about TAM へ
TAM’s Youth
Music history – Placed in an elementary school music contest and was featured in the local newspaper and played in the concert band. Studying for middle school exams and disinterest caused him to drop it for a time.
Study history – Attended top middle and high schools that sent many students to elite universities such as Tokyo U., but slacked off due to disinterest and otaku tendencies.
Spent more than two years as an unproductive NEET absorbed in anime, comics, games, and the Internet. Had so much free time that he started making things with his computer. With persuasion from his family and other connections, he attended a boarding school in Hamamatsu and was forced out of NEET-dom. He then became an office worker at a music company and earned valuable experience, although it lacked opportunities to play music. Wanting to find an outlet, he poured himself into TAMUSIC.
For more details, check out “About TAM” (Japanese only).
・活動証拠写真、動画
全世界に数千点公開し、累計数千万Hit（視聴再生数）しております
非公開、限定公開コンテンツも数千点
（ファンクラブ、支援応援会員サービススタート時に限定公開予定）
YouTube
ニコニコ動画
Flickr（写真）
Video and Picture Evidence
TAM’s videos have received millions of views from all around the world, and even exclusive content such as those released only to fan club members and supporters have received several thousand.
YouTube
Nicovideo
Flickr
・注意書き
活動10年間は、同人、個人、自主制作、二次創作（カバー）活動という立場上、
活動の全容、詳細をぼやかした説明に終始してきました
今現在、同人の枠の外の一般商業・海外の企画依頼オファーも多くなり、
特に日本ゲストとして海外ライブを行わせて頂く時には必須な
一般の方が客観的に見て（一般的なアーティスト、音楽団体としての比較等）
具体的な数字を入れての歴史、実績説明文章となってます
わかりやすく言うと「海外向けプロフィール」です
日本人のみが好む「慎ましい、控えめな、黙して語らず」ではありません
一部生意気な表記もございますが、メリット・デメリットは理解しております
そして、プロフィールや経歴・歴史の文言に負けないように、さらに大きく飛躍する心意気です、ご期待ください
Note
Across 10 years of activity, all doujin, individual, original and derivative works have been explained in detail.
At this moment, due to TAM’s own personal goals as well as the many offers from companies and organizations, particularly as a guest performer at overseas events, the objective viewpoint (compared to general artists and bands) from the audience is indispensable. These achievements are written using statistics as specific as I could attain, mostly as a way to more easily show my appeal to overseas fans, as Japanese tend to favor a more humble approach. Though parts may appear rather brazen, I fully analyzed the merits and demerits. And as not to sink below my past achievements, I will strive to continue to broaden my activities, so please look forward to it.
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翻訳：N-Forza(Four Corners)
Twitter
https://twitter.com/NForza26
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